7 wonders of Romance France
1. The Eiffel Tower
The Eiffel Tower (French: La tour Eiffel, [tuʁ ɛfɛl]) is an iron lattice tower located on the Champ de Mars in Paris. It was named after the engineer Gustave Eiffel, whose company designed and built the tower. Erected in 1889 as the entrance arch to the 1889 World's Fair, it was initially criticised by some of France's leading artists and intellectuals for its design, but has become both a global cultural icon of France and one of the most recognizable structures in the world.[1] The tower is the tallest structure in Paris and the most-visited paid monument in the world; 6.98 million people ascended it in 2011.[2] The tower received its 250 millionth visitor in 2010.[2]
The tower is 324 metres (1,063 ft) tall,[2] about the same height as an 81-storey building. During its construction, the Eiffel Tower surpassed the Washington Monument to assume the title of the tallest man-made structure in the world, a title it held for 41 years, until the Chrysler Building in New York City was built in 1930. Because of the addition of the aerial atop the Eiffel Tower in 1957, it is now taller than the Chrysler Building by 5.2 metres (17 ft). Not including broadcast aerials, it is the second-tallest structure in France, after the Millau Viaduct.
The tower has three levels for visitors, with restaurants on the first and second. The third level observatory's upper platform is 276 m (906 ft) above the ground,[2] the highest accessible to the public in the European Union. Tickets can be purchased to ascend by stairs or lift (elevator) to the first and second levels. The climb from ground level to the first level is over 300 steps, as is the walk from the first to the second level. Although there are stairs to the third and highest level, these are usually closed to the public and it is generally only accessible by lift.
2. Seine River
The Seine (/seɪn/; French: La Seine, pronounced: [la sɛːn]) is a 776 km long river and an important commercial waterway within the Paris Basin in the north of France. It rises at Source-Seine, 30 kilometers northwest of Dijon in northeastern France in the Langres plateau, flowing through Paris and into the English Channel at Le Havre (and Honfleur on the left bank).[1] It is navigable by ocean-going vessels as far as Rouen, 120 km (75 mi) from the sea. Over 60% of its length, as far as Burgundy, is negotiable by commercial riverboats and nearly its whole length is available for recreational boating; excursion boats offer sightseeing tours of the Rive Droite and Rive Gauche within the city of Paris.
There are 37 bridges within Paris and dozens more spanning the river outside the city. Examples in Paris include the Pont Louis-Philippe and Pont Neuf, the latter of which dates back to 1607. Outside the city, examples include the Pont de Normandie, one of the longest cable-stayed bridges in the world, which links Le Havre to Honfleur.
3. The Louvre
The Louvre or the Louvre Museum (French: Musée du Louvre, pronounced: [myze dy luvʁ]) is one of the world's largest museums and a historic monument. A central landmark of Paris, France, it is located on the Right Bank of the Seine in the 1st arrondissement (district). Nearly 35,000 objects from prehistory to the 21st century are exhibited over an area of 60,600 square metres (652,300 square feet). The Louvre is the world's most visited museum, and received more than 9.7 million visitors in 2012.[1]
The museum is housed in the Louvre Palace, originally built as a fortress in the late 12th century under Philip II. Remnants of the fortress are visible in the basement of the museum. The building was extended many times to form the present Louvre Palace. In 1682, Louis XIV chose the Palace of Versailles for his household, leaving the Louvre primarily as a place to display the royal collection, including, from 1692, a collection of ancient Greek and Roman sculpture.[2] In 1692, the building was occupied by the Académie des Inscriptions et Belles Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years.[3] During the French Revolution, the National Assembly decreed that the Louvre should be used as a museum to display the nation's masterpieces.
The Mona Lisa, (Leonardo da Vinci), oil on panel, 1503–19, probably completed while the artist was at the court of Francis I.
The museum opened on 10 August 1793 with an exhibition of 537 paintings, the majority of the works being royal and confiscated church property. Because of structural problems with the building, the museum was closed in 1796 until 1801. The collection was increased under Napoleon and the museum renamed the Musée Napoléon, but after Napoleon's abdication many works seized by his armies were returned to their original owners. The collection was further increased during the reigns of Louis XVIII and Charles X, and during the Second French Empire the museum gained 20,000 pieces. Holdings have grown steadily through donations and gifts since the Third Republic. As of 2008, the collection is divided among eight curatorial departments: Egyptian Antiquities; Near Eastern Antiquities; Greek, Etruscan, and Roman Antiquities; Islamic Art; Sculpture; Decorative Arts; Paintings; Prints and Drawings.
4. Palace of Versailles
The Palace of Versailles (English /vɛərˈsaɪ/ vair-SY or /vərˈsaɪ/ vər-SY; French: [vɛʁˈsɑj]), or simply Versailles, is a royal château in Versailles in the Île-de-France region of France. In French, it is known as the Château de Versailles.
When the château was built, Versailles was a country village; today, however, it is a wealthy suburb of Paris, some 20 kilometers southwest of the French capital. The court of Versailles was the center of political power in France from 1682, when Louis XIV moved from Paris, until the royal family was forced to return to the capital in October 1789 after the beginning of the French Revolution. Versailles is therefore famous not only as a building, but as a symbol of the system of absolute monarchy of the Ancien Régime.
The earliest mention of the name of Versailles is in a document dated 1038, relating to the village of Versailles. In 1575, the seigneury of Versailles was bought by Albert de Gondi, a naturalized Florentine, who invited Louis XIII on several hunting trips in the forests surrounding Versailles. Pleased with the location, Louis ordered the construction of a hunting lodge in 1624. Eight years later, Louis obtained the seigneury of Versailles from the Gondi family and began to make enlargements to the château. This structure would become the core of the new palace.[1] Louis XIII's successor, Louis XIV, had it expanded into one of the largest palaces in the world.[2] Following the Treaties of Nijmegen in 1678, he began to gradually move the court to Versailles. The court was officially established there on 6 May 1682.[3]
After the disgrace of Nicolas Fouquet in 1661, Louis confiscated Fouquet's estate and employed the talents of Le Vau, Le Nôtre, and Le Brun, who all had worked on Fouquet's grand château Vaux-le-Vicomte, for his building campaigns at Versailles and elsewhere. For Versailles, there were four distinct building campaigns.[4]
The first building campaign (1664–1668) commenced with the Plaisirs de l'Île enchantée (Pleasures of the Enchanted Island) of 1664, a fête
that was held between 7 and 13 May 1664. The campaign involved
alterations in the château and gardens to accommodate the 600 guests
invited to the party.[5]
The second building campaign (1669–1672) was inaugurated with the signing of the Treaty of Aix-la-Chapelle, which ended the War of Devolution. During this campaign, the château began to assume some of the appearance that it has today. The most important modification of the château was Le Vau's envelope of Louis XIII's hunting lodge.[6] Significant to the design and construction of the grands appartements is that the rooms of both apartments are of the same configuration and dimensions—a hitherto unprecedented feature in French palace design. Both the grand appartement du roi and the grand appartement de la reine formed a suite of seven enfilade rooms. The decoration of the rooms, which was conducted under Le Brun's direction, depicted the "heroic actions of the king" and were represented in allegorical form by the actions of historical figures from the antique past (Alexander the Great, Augustus, Cyrus, etc.).[7]
With the signing of the Treaty of Nijmegen in 1678, which ended the Dutch War, the third building campaign at Versailles began (1678–1684). Under the direction of the architect, Jules Hardouin-Mansart, the Palace of Versailles acquired much of the look that it has today. In addition to the Hall of Mirrors, Hardouin-Mansart designed the north and south wings and the Orangerie. Le Brun was occupied not only with the interior decoration of the new additions of the palace, but also collaborated with Le Nôtre's in landscaping the palace gardens.[8]
Soon after the defeat of the War of the League of Augsburg (1688–1697), Louis XIV undertook his last building campaign at Versailles. The fourth building campaign (1699–1710) concentrated almost exclusively on construction of the royal chapel designed by Hardouin-Mansart and finished by Robert de Cotte. There were also some modifications in the appartement du roi, namely the construction of the Salon de l'Œil de Bœuf and the King's Bedchamber. With the completion of the chapel in 1710, virtually all construction at Versailles ceased; building would not be resumed at Versailles until some twenty one years later during the reign of Louis XV.[9]
5. Chartres Cathedral
Chartres Cathedral, also known as Cathedral Basilica of Our Lady of Chartres (French: Basilique Cathédrale Notre-Dame de Chartres), is a medieval Catholic cathedral of the Latin Church located in Chartres, France, about 80 kilometres (50 mi) southwest of Paris. It is considered one of the finest examples of French Gothic architecture and is a UNESCO World Heritage Site. The current cathedral, mostly constructed between 1194 and 1250, is the last of at least five which have occupied the site since the town became a bishopric in the 4th century.
The cathedral is in an exceptional state of preservation. The majority of the original stained glass windows survive intact, while the architecture has seen only minor changes since the early 13th century. The building's exterior is dominated by heavy flying buttresses which allowed the architects to increase the window size significantly, while the west end is dominated by two contrasting spires – a 105-metre (349 ft) plain pyramid completed around 1160 and a 113-metre (377 ft) early 16th-century Flamboyant spire on top of an older tower. Equally notable are the three great façades, each adorned with hundreds of sculpted figures illustrating key theological themes and narratives.
Since at least the 12th century the cathedral has been an important destination for travellers – and remains so to this day, attracting large numbers of Christian pilgrims, many of whom come to venerate its famous relic, the Sancta Camisa, said to be the tunic worn by the Virgin Mary at Christ's birth, as well as large numbers of secular tourists who come to admire the cathedral's architecture and historical merit.
6. Giverny
Giverny (French pronunciation: [ʒi.vɛʁ.ni]) is a commune in the Eure department in northern France. It is best known as the location of Claude Monet's garden and home.
A settlement has existed in Giverny since neolithic times and a monument uncovered attests to this fact. Archeological finds have included booties dating from Gallo-Roman times and to the earlier 1st and 2nd centuries AD.
The town was known in ancient deeds as "Warnacum". The cultivation of
grapes has been an occupation of the inhabitants of Giverny since Merovingian times. The village church dates from the Middle Ages and is built partially in the Romanesque style, though additions have since been made. It is dedicated to Sainte-Radegonde.
The village has remained a small rural setting with a modest population
(numbering around 301 in 1883 when Monet discovered it) and has since
seen a boom in tourism since the restoration of Monet's house and
gardens.
7. Arc de Triomphe
The Arc de Triomphe de l'Étoile (French pronunciation: [aʀk də tʀiɔ̃f də letwal], Arch of Triumph of the Star) is one of the most famous monuments in Paris. It stands in the centre of the Place Charles de Gaulle (originally named Place de l'Étoile), at the western end of the Champs-Élysées.[3] It should not be confused with a smaller arch, the Arc de Triomphe du Carrousel, which stands west of the Louvre. The Arc de Triomphe (in English: "Triumphal Arch") honours those who fought and died for France in the French Revolutionary and the Napoleonic Wars, with the names of all French victories and generals inscribed on its inner and outer surfaces. Beneath its vault lies the Tomb of the Unknown Soldier from World War I.
The Arc de Triomphe is the linchpin of the Axe historique (historic axis) – a sequence of monuments and grand thoroughfares on a route which runs from the courtyard of the Louvre to the Grande Arche de la Défense. The monument was designed by Jean Chalgrin in 1806 and its iconographic program pitted heroically nude French youths against bearded Germanic warriors in chain mail. It set the tone for public monuments, with triumphant patriotic messages.
The monument stands 50 metres (164 ft) in height, 45 m (148 ft) wide and 22 m (72 ft) deep. The large vault is 29.19 m (95.8 ft) high and 14.62 m (48.0 ft) wide. The small vault is 18.68 m (61.3 ft) high and 8.44 m (27.7 ft) wide. Its design was inspired by the Roman Arch of Titus. The Arc de Triomphe is built on such a large scale that, three weeks after the Paris victory parade in 1919 (marking the end of hostilities in World War I), Charles Godefroy flew his Nieuport biplane through it, with the event captured on newsreel.[4][5][6]
It was the tallest triumphal arch in existence until the completion of the Monumento a la Revolución in Mexico City in 1938, which is 67 metres (220 ft) high. The Arch of Triumph in Pyongyang, completed in 1982, is modelled on the Arc de Triomphe and is slightly taller at 60 m (197 ft).
The Eiffel Tower (French: La tour Eiffel, [tuʁ ɛfɛl]) is an iron lattice tower located on the Champ de Mars in Paris. It was named after the engineer Gustave Eiffel, whose company designed and built the tower. Erected in 1889 as the entrance arch to the 1889 World's Fair, it was initially criticised by some of France's leading artists and intellectuals for its design, but has become both a global cultural icon of France and one of the most recognizable structures in the world.[1] The tower is the tallest structure in Paris and the most-visited paid monument in the world; 6.98 million people ascended it in 2011.[2] The tower received its 250 millionth visitor in 2010.[2]
The tower is 324 metres (1,063 ft) tall,[2] about the same height as an 81-storey building. During its construction, the Eiffel Tower surpassed the Washington Monument to assume the title of the tallest man-made structure in the world, a title it held for 41 years, until the Chrysler Building in New York City was built in 1930. Because of the addition of the aerial atop the Eiffel Tower in 1957, it is now taller than the Chrysler Building by 5.2 metres (17 ft). Not including broadcast aerials, it is the second-tallest structure in France, after the Millau Viaduct.
The tower has three levels for visitors, with restaurants on the first and second. The third level observatory's upper platform is 276 m (906 ft) above the ground,[2] the highest accessible to the public in the European Union. Tickets can be purchased to ascend by stairs or lift (elevator) to the first and second levels. The climb from ground level to the first level is over 300 steps, as is the walk from the first to the second level. Although there are stairs to the third and highest level, these are usually closed to the public and it is generally only accessible by lift.
2. Seine River
The Seine (/seɪn/; French: La Seine, pronounced: [la sɛːn]) is a 776 km long river and an important commercial waterway within the Paris Basin in the north of France. It rises at Source-Seine, 30 kilometers northwest of Dijon in northeastern France in the Langres plateau, flowing through Paris and into the English Channel at Le Havre (and Honfleur on the left bank).[1] It is navigable by ocean-going vessels as far as Rouen, 120 km (75 mi) from the sea. Over 60% of its length, as far as Burgundy, is negotiable by commercial riverboats and nearly its whole length is available for recreational boating; excursion boats offer sightseeing tours of the Rive Droite and Rive Gauche within the city of Paris.
There are 37 bridges within Paris and dozens more spanning the river outside the city. Examples in Paris include the Pont Louis-Philippe and Pont Neuf, the latter of which dates back to 1607. Outside the city, examples include the Pont de Normandie, one of the longest cable-stayed bridges in the world, which links Le Havre to Honfleur.
3. The Louvre
The Louvre or the Louvre Museum (French: Musée du Louvre, pronounced: [myze dy luvʁ]) is one of the world's largest museums and a historic monument. A central landmark of Paris, France, it is located on the Right Bank of the Seine in the 1st arrondissement (district). Nearly 35,000 objects from prehistory to the 21st century are exhibited over an area of 60,600 square metres (652,300 square feet). The Louvre is the world's most visited museum, and received more than 9.7 million visitors in 2012.[1]
The museum is housed in the Louvre Palace, originally built as a fortress in the late 12th century under Philip II. Remnants of the fortress are visible in the basement of the museum. The building was extended many times to form the present Louvre Palace. In 1682, Louis XIV chose the Palace of Versailles for his household, leaving the Louvre primarily as a place to display the royal collection, including, from 1692, a collection of ancient Greek and Roman sculpture.[2] In 1692, the building was occupied by the Académie des Inscriptions et Belles Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years.[3] During the French Revolution, the National Assembly decreed that the Louvre should be used as a museum to display the nation's masterpieces.
The Mona Lisa, (Leonardo da Vinci), oil on panel, 1503–19, probably completed while the artist was at the court of Francis I.
The museum opened on 10 August 1793 with an exhibition of 537 paintings, the majority of the works being royal and confiscated church property. Because of structural problems with the building, the museum was closed in 1796 until 1801. The collection was increased under Napoleon and the museum renamed the Musée Napoléon, but after Napoleon's abdication many works seized by his armies were returned to their original owners. The collection was further increased during the reigns of Louis XVIII and Charles X, and during the Second French Empire the museum gained 20,000 pieces. Holdings have grown steadily through donations and gifts since the Third Republic. As of 2008, the collection is divided among eight curatorial departments: Egyptian Antiquities; Near Eastern Antiquities; Greek, Etruscan, and Roman Antiquities; Islamic Art; Sculpture; Decorative Arts; Paintings; Prints and Drawings.
4. Palace of Versailles
The Palace of Versailles (English /vɛərˈsaɪ/ vair-SY or /vərˈsaɪ/ vər-SY; French: [vɛʁˈsɑj]), or simply Versailles, is a royal château in Versailles in the Île-de-France region of France. In French, it is known as the Château de Versailles.
When the château was built, Versailles was a country village; today, however, it is a wealthy suburb of Paris, some 20 kilometers southwest of the French capital. The court of Versailles was the center of political power in France from 1682, when Louis XIV moved from Paris, until the royal family was forced to return to the capital in October 1789 after the beginning of the French Revolution. Versailles is therefore famous not only as a building, but as a symbol of the system of absolute monarchy of the Ancien Régime.
The earliest mention of the name of Versailles is in a document dated 1038, relating to the village of Versailles. In 1575, the seigneury of Versailles was bought by Albert de Gondi, a naturalized Florentine, who invited Louis XIII on several hunting trips in the forests surrounding Versailles. Pleased with the location, Louis ordered the construction of a hunting lodge in 1624. Eight years later, Louis obtained the seigneury of Versailles from the Gondi family and began to make enlargements to the château. This structure would become the core of the new palace.[1] Louis XIII's successor, Louis XIV, had it expanded into one of the largest palaces in the world.[2] Following the Treaties of Nijmegen in 1678, he began to gradually move the court to Versailles. The court was officially established there on 6 May 1682.[3]
After the disgrace of Nicolas Fouquet in 1661, Louis confiscated Fouquet's estate and employed the talents of Le Vau, Le Nôtre, and Le Brun, who all had worked on Fouquet's grand château Vaux-le-Vicomte, for his building campaigns at Versailles and elsewhere. For Versailles, there were four distinct building campaigns.[4]
The four building campaigns (1664–1710)
View of the Palace from the garden
The second building campaign (1669–1672) was inaugurated with the signing of the Treaty of Aix-la-Chapelle, which ended the War of Devolution. During this campaign, the château began to assume some of the appearance that it has today. The most important modification of the château was Le Vau's envelope of Louis XIII's hunting lodge.[6] Significant to the design and construction of the grands appartements is that the rooms of both apartments are of the same configuration and dimensions—a hitherto unprecedented feature in French palace design. Both the grand appartement du roi and the grand appartement de la reine formed a suite of seven enfilade rooms. The decoration of the rooms, which was conducted under Le Brun's direction, depicted the "heroic actions of the king" and were represented in allegorical form by the actions of historical figures from the antique past (Alexander the Great, Augustus, Cyrus, etc.).[7]
With the signing of the Treaty of Nijmegen in 1678, which ended the Dutch War, the third building campaign at Versailles began (1678–1684). Under the direction of the architect, Jules Hardouin-Mansart, the Palace of Versailles acquired much of the look that it has today. In addition to the Hall of Mirrors, Hardouin-Mansart designed the north and south wings and the Orangerie. Le Brun was occupied not only with the interior decoration of the new additions of the palace, but also collaborated with Le Nôtre's in landscaping the palace gardens.[8]
Soon after the defeat of the War of the League of Augsburg (1688–1697), Louis XIV undertook his last building campaign at Versailles. The fourth building campaign (1699–1710) concentrated almost exclusively on construction of the royal chapel designed by Hardouin-Mansart and finished by Robert de Cotte. There were also some modifications in the appartement du roi, namely the construction of the Salon de l'Œil de Bœuf and the King's Bedchamber. With the completion of the chapel in 1710, virtually all construction at Versailles ceased; building would not be resumed at Versailles until some twenty one years later during the reign of Louis XV.[9]
5. Chartres Cathedral
Chartres Cathedral, also known as Cathedral Basilica of Our Lady of Chartres (French: Basilique Cathédrale Notre-Dame de Chartres), is a medieval Catholic cathedral of the Latin Church located in Chartres, France, about 80 kilometres (50 mi) southwest of Paris. It is considered one of the finest examples of French Gothic architecture and is a UNESCO World Heritage Site. The current cathedral, mostly constructed between 1194 and 1250, is the last of at least five which have occupied the site since the town became a bishopric in the 4th century.
The cathedral is in an exceptional state of preservation. The majority of the original stained glass windows survive intact, while the architecture has seen only minor changes since the early 13th century. The building's exterior is dominated by heavy flying buttresses which allowed the architects to increase the window size significantly, while the west end is dominated by two contrasting spires – a 105-metre (349 ft) plain pyramid completed around 1160 and a 113-metre (377 ft) early 16th-century Flamboyant spire on top of an older tower. Equally notable are the three great façades, each adorned with hundreds of sculpted figures illustrating key theological themes and narratives.
Since at least the 12th century the cathedral has been an important destination for travellers – and remains so to this day, attracting large numbers of Christian pilgrims, many of whom come to venerate its famous relic, the Sancta Camisa, said to be the tunic worn by the Virgin Mary at Christ's birth, as well as large numbers of secular tourists who come to admire the cathedral's architecture and historical merit.
6. Giverny
Giverny (French pronunciation: [ʒi.vɛʁ.ni]) is a commune in the Eure department in northern France. It is best known as the location of Claude Monet's garden and home.
A settlement has existed in Giverny since neolithic times and a monument uncovered attests to this fact. Archeological finds have included booties dating from Gallo-Roman times and to the earlier 1st and 2nd centuries AD.
The town was known in ancient deeds as "Warnacum". The cultivation of
grapes has been an occupation of the inhabitants of Giverny since Merovingian times. The village church dates from the Middle Ages and is built partially in the Romanesque style, though additions have since been made. It is dedicated to Sainte-Radegonde.
The village has remained a small rural setting with a modest population
(numbering around 301 in 1883 when Monet discovered it) and has since
seen a boom in tourism since the restoration of Monet's house and
gardens. 
7. Arc de Triomphe
The Arc de Triomphe de l'Étoile (French pronunciation: [aʀk də tʀiɔ̃f də letwal], Arch of Triumph of the Star) is one of the most famous monuments in Paris. It stands in the centre of the Place Charles de Gaulle (originally named Place de l'Étoile), at the western end of the Champs-Élysées.[3] It should not be confused with a smaller arch, the Arc de Triomphe du Carrousel, which stands west of the Louvre. The Arc de Triomphe (in English: "Triumphal Arch") honours those who fought and died for France in the French Revolutionary and the Napoleonic Wars, with the names of all French victories and generals inscribed on its inner and outer surfaces. Beneath its vault lies the Tomb of the Unknown Soldier from World War I.
The Arc de Triomphe is the linchpin of the Axe historique (historic axis) – a sequence of monuments and grand thoroughfares on a route which runs from the courtyard of the Louvre to the Grande Arche de la Défense. The monument was designed by Jean Chalgrin in 1806 and its iconographic program pitted heroically nude French youths against bearded Germanic warriors in chain mail. It set the tone for public monuments, with triumphant patriotic messages.
The monument stands 50 metres (164 ft) in height, 45 m (148 ft) wide and 22 m (72 ft) deep. The large vault is 29.19 m (95.8 ft) high and 14.62 m (48.0 ft) wide. The small vault is 18.68 m (61.3 ft) high and 8.44 m (27.7 ft) wide. Its design was inspired by the Roman Arch of Titus. The Arc de Triomphe is built on such a large scale that, three weeks after the Paris victory parade in 1919 (marking the end of hostilities in World War I), Charles Godefroy flew his Nieuport biplane through it, with the event captured on newsreel.[4][5][6]
It was the tallest triumphal arch in existence until the completion of the Monumento a la Revolución in Mexico City in 1938, which is 67 metres (220 ft) high. The Arch of Triumph in Pyongyang, completed in 1982, is modelled on the Arc de Triomphe and is slightly taller at 60 m (197 ft).
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